Review
Varvara Uhlik
"Sonechko, Yak Ty?"
In Sonechko, Yak Ty? (Sunshine, How Are You?), Ukrainian artist Varvara Uhlik revisits family archives alongside staged images to examine how childhood memory is shaped and reworked over time.
Photo © Varvara Uhlik
In the project Sonechko, Yak Ty? (Sunshine, How Are You?) Varvara Uhlik works with personal family archives alongside newly staged images to create visual narratives that move between the imagined and the remembered. Positioned within a broader set of artistic practices that revisit vernacular archives to question how histories are formed and transmitted, the project addresses the instability of personal and collective memory in a post-Soviet context.
Uhlik was born in Dnipro, Ukraine, in 1997, shortly after the collapse of the Soviet Union. Although she did not experience that system directly, its social and disciplinary frameworks remain present in everyday life. Within this framework, the work considers how identity is assembled through fragments, gaps, and contradictions. Uhlik re-construct her youth memories, re-contextualising them as she redefines her identity and cultural heritage. The images reflect an ongoing attempt to situate oneself within inherited structures, serving as pieces in the puzzle of her self-discovery.
"I find myself feeling lost and confused about who I actually am. This has led me to undertake a search for myself by revisiting my memories and reevaluating them as an adult. As a child, I had happy moments: such as enjoying my mother’s sour cherry "varenyky"(dumplings) or climbing trees. However, I also grew up in harsh conditions and was raised with severe Soviet discipline that has shaped me into who I am today."
Varvara Uhlik now lives in London and cannot visit her family, a situation shared by many Ukrainians whose lives have been shaped by displacement in recent years. In this context, photography becomes a way to return—to eastern Ukraine and to her own past—allowing her to revisit and rework childhood memories.
Installation view
Artphilein Foundation. Lugano, Switzerland. 2026
Varvara Uhlik (b. 1997, Dnipro, Ukraine) is a Ukrainian photographer and visual artist based in London. Through photography, video, sculpture, and installation, Varvara navigates themes of generational trauma, cultural memory, and the enduring shadow of Russian imperialism on both individual lives and the wider socio-political fabric of Eastern Europe. Rooted in her personal history and the landscapes of her upbringing in Eastern Ukraine, her work explores the inherited complexities of post-Soviet identity.

In 2026, Varvara was selected as Foam Talent 2026−2027 Runner-up by Foam Fotografiemuseum Amsterdam, and nominated by PhotoIreland as a FUTURES Photography Talent. A year before, she was selected for New Contemporaries 2025−2026, recognising her as one of the artists shaping the future of British art. In 2024, she was named one of the British Journal of Photography’s Ones to Watch. Varvara has also been a member of the Royal Society of Sculptors since 2025, having received the Gilbert Bayes Award.

Her work has been exhibited internationally, including at The Sunday Painter, London (2025); Photo Élysée Museum, Switzerland (2025); European Photography Month, Tokyo (2025); MIA Milan Photo Fair, Italy (2024, 2025); Encontros da Imagem, Portugal (2024); and Liquida Photofestival, Italy (2025). Her work has appeared in publications such as The Guardian, Beaux Arts Magazine, Photoworks, Riga Photography Biennial 2025, Der Greif and LensCulture, among others.
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