Coloristic

Colour is one of the most crucial elements in visual art photography. Whether applied in fashion, painting, or photography, there are principles governing harmonious colour combinations. Each colour carries emotional resonance and influences viewers differently, with some combinations enhancing each other while others weaken.

Color in photography

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Четверг / пятница · 2 раза в неделю · 6000 $ Рассрочка
Ведущий: Иван Петров

This course is tailored for photographers seeking to explore the theory of colour and its practical application, aiming to unveil new perspectives in the study of colour within modern photography.

The course serves as a foundation for understanding the intricacies of working with colour, providing mastery of competitive techniques to discover one's visual style and thematic approach when dealing with colour.

The program's uniqueness lies in its emphasis on the original author's perception of colour and the development of participants' creative potential.

ведущий курса

Dimitri Bogachuk

__________

Famous photographer, art historian, photography teacher. Participant of exhibitions in Europe, USA. Member of the Cultural Diplomacy Foundation.

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программа курса

Lecture 1

Colour Detection

• Introduction and discussion of course objectives.
• Concepts of purity and quality of colour in visual arts.
• The notion of tonality in photography, including shades.
• Volume of colour and semitones.
• Techniques for achieving tonality and uniform colour.
• Homework.

Lecture 2

Colour Accents

• Features of working with light.
• Identification of a colour spot.
• Combining similar and different colours in a spectrum.
• The colour accent.
• Colour combinations.
• Homework.

Lecture 3

Homework analysis

• Homework submission.
• Analysis of submitted work with recommendations and prospects.

Lecture 4

Colour Composition

Complex colour combinations.
• The use of secondary colours.
• Combining colours into a unified system.
• Software tools for photo processing.

Lecture 5

Actual Colour

• Origins of the formation of actual colour.
• Differences between classic and modern colours.
• Types of modern tonality in photography.
• Boundaries of colour purity.
• Homework.

Lecture 6

The Author's Colour

• Achieving original colour in practice.
• Analysis of promising and commercially successful projects in colour photography.
• Approaches to working with colour.
• The search for the author's colour.
• Homework.

Lecture7

The Author's Colour

Author's colour combinations.
• Experimental colour approaches.
• Working on the edge.
• Colour distortion.
• The relevance of expression.
• Colour dissonance.

Lecture 8

Colour in the Project

• The idea and the form.
• Symbolism of colour.
• Colour in project photography as a source of additional emotional stress.
• Logic of building a series in a different and unified way.
• Appropriateness of using colour in connection with the project idea.
• Perspectives of colour photography.

Lecture 9

Colour in the Project

• The idea and the form.
• Symbolism of colour.
• Colour in project photography as a source of additional emotional stress.
• Logic of building a series in a different and unified way.
• Appropriateness of using colour in connection with the project idea.
• Perspectives of colour photography.

Lecture10

Graduation Portfolio

• Analysis of students' portfolios.
• Recommendations for further work in the field of art photography.

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